In Ghasan’s solo exhibition titled Anarchy of Senses, Ghasan guides viewers from anarchy to self-deliberation. Ghasan triggers audiences’ self-exploration on the inexplicable - our unconsciousness by disclosing living experiences in the half-lights.

Right after our attention is drawn by the attractive, colourful and familiar icons on his canvas, the simplicity of the icons together with the mysterious or exotic symbols then evokes our deeper reflection on the secretive and obscure relationship between the individual, the group, and the environment, and culture we live in. Moreover, through portraying the conscious visual in its simplest form, Ghasan extracts the viewer from the surface contemplation of the visual, leading them to see and reflect on the deeper stir - aesthetic sensation. Presence is reduced and the tumultuous and separated images are uplifted further through his use of a sharp stroke across the surface.

Ghasan 將會在名為“感思亂緖”的個人畫展中, 引導觀眾從藝術欣賞, 到揭示自我難以言表的潛意識內心世界, 以脫俗活潑的手法, 帶領觀眾發現, 沉醉, 到梳理我們內心豐富又凌亂的情感.

Ghasan 先以鮮艷多彩及有普世意義的圖像, 引起觀眾對畫作的直接共鳴, 進一步以神秘的, 富異國色彩的圖標符號, 或曖昧的單色空間色塊喚起觀眾的好奇, 鼓勵深層思考, 幫助觀眾面對自己從不外露的, 掩藏著的直覺情感, 要求大家審視我, 他, 和環境之間的關係.